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Recognized for her expressive, lyric tone, and thrilling high notes, Canadian soprano Melanie Krueger embraces an extraordinarily wide range of repertoire, from Britten and Berg to Mozart and Monteverdi.

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biography

In Vancouver Opera’s ‘Don Carlo’ (2014) the pure soprano voice of Melanie Krueger (the Celestial Voice) floated thrillingly above the grim cruelty on the ground.
— Elizabeth Patterson (Review Vancouver)

Recognized for her expressive, lyric tone, and thrilling high notes, Canadian soprano Melanie Krueger embraces an extraordinarily wide range of repertoire, from Britten and Berg to Mozart and Monteverdi.

Melanie maintains a thriving performance schedule, which has taken her from Canada to Europe. Highlights from her career include: Stravinsky’s Les Noces with Maestro Les Dala, Lillian, in John Estacios’ Lillian Alling at the Banff Centre for the Performing Arts, Abigail Williams in the Czech premier of Ward’s “The Crucible”, Fortuna in Monteverdi’s Il Ritorno D’Ulisse in Patria at Teatro Massimo’s Festival Scarlatti, Sandrina in Mozart’s La Finta Giardiniera at the Prague Estate Theatre, Atalanta in Handel’s Xerxes with the Prague Chamber Opera, Musetta in Puccini’s La Boheme and The Vixen in Janacek’s Cunning Little Vixen with the Usti nad Labem Opera House. 

Melanie will be joining the Vancouver Opera this season in the roles of Miss Wordsworth from Britten’s Albert Herring, as well as “The Celestial Voice” from Verdi’s Don Carlos. Melanie made her main stage debut with the Vancouver Opera as Anina in Verdi’s La Traviata, directed by Sir Jonathan Miller as well as Isabel in the company’s production of Gilbert and Sullivan’s Pirates of Penzance.

Highlights of Melanie’s stage and concert career include the role of Sharon in The Art’s Club’s production of Terrance McNalley’s Masterclass. Viennese pops concerts have also been a staple of Melanie’s concert career. She has worked with some of Canada’s leading conductors and orchestras including Bramwel Tovey and the Vancouver Symphony, the Victoria Symphony, the Kitchener-Waterloo Symphony and the Newfoundland Symphony. Oratorio engagements include Handel’s Messiah, Mendelssohn’s Elijah, Bach’s B minor Mass, Mozart’s Requiem, Vivaldi’s Gloria, Bach’s St. Matthew Passion and St. John Passion.

Melanie holds a masters degree in voice performance from the University of British Columbia, a bachelor of music degree from Wilfrid Laurier University and a Bachelor of Education degree from Memorial University.